Kato, Jill Fanshawe
(view Gallery).
A kinship with nature is visible in JILL FANSHAWE KATO’s unusual ceramics.
To Jill birds are the embodiment of freedom. Not surprising therefore that, following a degree in Painting at Chelsea and Pottery in Japan, everything she makes in clay reveals this affinity…
Katzenstein., Lisa
(view Gallery).
“My pieces are slip-cast or press moulded white earthenware with hand painted ‘tin-glaze’ decoration. In this technique you paint on top of the glaze prior to firing.
Where my work differs from traditional Majolica is in the way I use it as a medium for painting in its own right…
Kavanagh, Daniel
(view Gallery).
Ceramic work is hand thrown using either earthenware or porcelain clays, some pieces are formed using a selection of parts, which are then assembled by hand and fired up to temperatures of around 1100 degrees for earthenware and 1300 degrees for porcelain. My work attempts to create parallels between contemporary Fine Art and Craft practices…
Keeler, Walter
(view Gallery).
Walter Keeler’s pottery is mainly domestic and functional in salt glazed stoneware or, more rarely, earthenware. He trained at the Harrow School of Art, studying under Victor Margrie and Michael Casson, and later returned there to teach.
Walter says”The pottery tradition is at the heart of all my work. Pottery for use has been central to all settled human communities…
Keeney ( Jewellery ), Cristy
(view Gallery).
Cristy Keeney’s ceramic Jewellery
For his Ceramic Sculptures see details –
Keeney, Christy
(view Gallery).
Christy Keeney started his career at art school in Donegal.
Although drawn more towards fine art, he was encouraged to continue working in clay. Whilst developing his throwing skills he became more interested in sculpture.
Christy graduated from The Royal College of Art in 1988 and started working from studios in London…
Keogh, Karen
(view Gallery).
My work consists of vibrantly coloured, three-plate etchings and painterly monotypes, which take the landscape for inspiration. Recently, however, my work has become more abstract, as I simplify shapes and find patterns within the landscape. Using three metal plates for each print is labour intensive, technically difficult, and requires a great deal of foresight…
Key, Ray
(view Gallery).
Creative Woodturner of international renown
Ray has loved making things from wood throughout his life; his first recollections are from around the age of seven. Whittling, carving and fretwork were all interests.
He has been a member of the Worcestershire Guild of Designer Craftsmen since 1973.
He has been turning wood for over forty years…
Kim, Sun
(view Gallery).
Sun Kim is Korean. She is focused on functional wares; the throwing wheel is the major tool she uses to produce them. She is intrigued by the quality of porcelain, which is soft, warm, responsive to her touch and ‘playful to her imagination’ The engineering process of making pots is one of the aspects that excites, challenges and arouses her curiosity…
Klausmann, Markus
(view Gallery).
Markus decided to break new ground and pushed the development of Asian glazes, particularly Shino and wood firing.
He began to develop new vessel and dish shapes, the highlight of which, and confirmation of his change of direction was the first Prize in the competition “Artistic vessel” Contemporary Ceramics, Offenburg…
Klein, Anita
(view Gallery).
One of the UK’s most prominent and successful artists, Anita is BOTH a painter and a printmaker and her works which depict her family life have received broad acclaim.
“I want to celebrate the small moments we all tend to overlook. They’re the really important things…..
Knapp – Fisher, John
(view Gallery).
John Knapp-Fisher was born in 1931. Following studies in Graphic Design at Maidstone College of Art from 1949, John worked in exhibition design and later for the theatre as a designer and scenic artist. In 1958, while based in London, he began to concentrate on painting and exhibiting…